Archive for the ‘New Directors/New Films’ category

Video: Amreeka director Cherien Dabis talks to the Film Society’s Richard Peña

August 25, 2009

From Erin Crumpacker, a video of the Q&A between Richard Peña and Amreeka director Cherien Dabis.

Be sure to check out Erin’s blog, Briefly Noted, for more.


ND/NF alum Tatia Rosenthal’s $9.99 opens this weekend!

June 16, 2009


Great news for anyone out there who missed the chance to see Tatia Rosenthal’s $9.99 as part of New Directors/New Films. It opens this weekend in New York and L.A.!

Check out our interview with the director

Congrats, Tatia!

Short film: “I see,” a MoMA commission by ND/NF alum

May 12, 2009

The Museum of Modern Art has just started an interesting program of commissioning short films about the museum experience by New Directors/New Films alums. I really dug this one directed by Azazel Jacobs (Momma’s Man, ND/NF ’08). In it, a beleaguered urban dude takes a departure from reality via one of those audio tours. I found it an engaging comment on what a museum can bring to your life, that it can be more than just a static and staid interaction between a viewer and an art object.

I’d love to see more of this kind of thing. Maybe it justifies someone with a camera going down the NewYorkology cultural institution list?

On New Voices, Life in Public, and shark attacks…New Directors/New Films wrap up

April 6, 2009

Last night, Ondi Timoner’s witty and fast-moving We Live in Public closed New Directors/New Films, appropriately placing an exclamation point on the provocative festival of new work. Telling the history of the Internet at a speed that suits the information age, the film zeros in on a critical moment in the underground history of pre-millennial New York when a large group of artists, technologist and other assorted creative types got together to live in an underground bunker for twenty days under constant video surveillance.


Josh Harris and Ondi Timoner, photo by Godlis

Was it a cult? A social experiment? An art project? A premonition of a life lived on Facebook? Though it seemed that no one involved in the original event could agree on the meaning of the project, all acknowledged its main architect–Josh Harris–as a visionary. And just as Timoner’s documentary left all of us in the audience questioning our own place in a brave new world of social networking, the film’s magnetic subject, Josh Harris himself, appeared in the flesh to add an extra layer of self-reflexivity to the proceedings (which were already being webcast and most likely being Twittered about!).With an audience filled with some of the film’s subjects, and cameras roving everywhere, it was hard not to think that all of us were embodying Harris’s correction of Andy Warhol: in an Internet future, we’ll all be famous for fifteen minutes a day.

It really has been a whirlwind of a festival. When I first came up the idea of turning the filmlinc blog over to a raft of New Voices, I wasn’t quite sure what to expect. Would anyone actually take me up on the offer? And what would they come up with? Looking back now, one thing seems clear: unexpected and wonderful things happen when you engage the diverse talents of a group of creative people. That those wonderful things took the form of lots of fresh points of view, fantastic interviews with the likes of Tatia Rosenthal, Anna Boden and Ryan Fleck, Alexis Dos Santos, Adam Leon and Jack Pettibone Riccobono and Armond White, great photography and even a shark attack (press play above) was one of the delights of this experiment. So I would like to say a heartfelt thanks to the correspondents who really went above and beyond to provide daily coverage of this festival: Nick Feitel, Matt Griffin, Tom Treanor, Morgan Green, Jessica Loudis, Michael Masarof, Sam Song, Eric Yue, Melanie Shaw, Jay Felty, Nick McCarthy, Aily Nash, Tim Young, Kazu Wantanabe, Brandon Harris, Christian Del Moral and Wayne Titus.

I’d also like to give a shout-out to our New Directors/New Films co-presenter, The Museum of Modern Art. Not only do they have a terrific film exhibition program of their own, and shows specifically geared toward film-lovers, they also do a terrific job of cultivating an online community.

Because a picture is worth a thousand words, I’d like to thank our wonderful photographers, Susan Sermoneta and David Godlis for shots that really bring our events to life.


Finally, I’d like to thank our online community: our Fans on Facebook, those who Twitter with us, and of course, readers of the filmlinc blog. It is thanks to your attention that March was our most successful month yet in our relatively brief existence. We are extremely grateful for your interest and we will always be looking for ways to better bring the Film Society experience to you and to engage you in a vital conversation about films and filmmaking.

-Amanda McCormick

New Directors/New Films video diary: the New Voices have a Mid-August Lunch

April 6, 2009

For their very first film festival experience, New Voices Melanie Shaw, Jay Felty and Eric Yue pack light, journey to Lincoln Center, and solicit plenty of seasoned advice from NYU professor Antonio Monda, the Film Society’s Richard Peña and even New Director Gianni Di Gregorio.

Teaming Up: An interview with Ryan Fleck and Anna Boden

April 3, 2009


Though I was excited when I heard I would get to interview Ryan Fleck and Anna Boden, the filmmakers behind such ND/NF films as Gowanus, Brooklyn, Young Rebels and Half Nelson (which screens Friday at 3, with a conversation with the filmmakers Sunday at 12), but I was slightly disappointed when I found out the terms of the interview.

I had offered beer and ice cream delivered to their hip-Brooklyn locale, along with an informal hang-out session.

They countered with 10 minutes over a cell phone.

(Got to keep interest up for the conversation with them on Sunday I suppose :p)

To be fair, they had just returned from a press tour for their new film Sugar, the story of a Dominican baseball player’s journey to the U.S., which just received a rave from A.O. Scott, the Times’ film critic, who described it as “wise and lovely”.

“We’re shells of our old selves,” they explained.

I should explain that when I say “they explained” that Ryan Fleck and Anna Boden collaborate on seemingly everything from emails to phone conversations to screenplays and motion pictures. They even signed off their emails (under their one synchronous email address) from “R/A”.

“Well, filmmaking is collaborative art,” Ryan explained.

“Yeah,” Anna offered up. “Think about it, you’re always working with someone else, like your director of photography to your producer to someone on set you ask for coffee.”

“So yeah, we work well collaborating.” Ryan concluded.

I asked them as very young filmmakers (graduates of NYU ’04), if they were any more inclined to do digital filmmaking or content for the web.

Ryan: “We shot Sugar on 35mm. I didn’t even know about the RED Camera beforehand, but I think film’s not dead. I think there are still going to be filmmakers out there, young or not, who choose to have that sort of grain and look to their film. But yeah, digital and film are getting very similar. I mean I did really like what Soderbergh did with Che.

Anna: “As for web stuff, I mean, yeah. We’d like to do stuff for the web. We don’t exactly, well, know how yet. But sure we’d do somethings. I think the internet could be a powerful place for films in the future, if it isn’t already now.

Following my personal predilections, I asked them whether Brooklyn was a filmie hangout  and whether they missed video stores (a question dear to my heart).

Ryan: “I don’t know. I mean I guess just all these neo-realist guys like us live out here in the boroughs. So Yong Kim, Ramin Bahrani… I think Kelly Reichardt lives somewhere around here.”

I pointed out she teaches upstate at Bard.

“Maybe she commutes.” Ryan offered.

Anna: “Well I’m from Boston-y suburbs, not Brooklyn, but I miss video stores. I guess you have Netflix now, but the suggestions feel so cold, so computer-generated. I remember moving out here and seeing a video store open and close just like that, full of great movies. I’m worried for these kids today.”

Speaking of kids today, since my 10 minutes were almost up, I figured I asked if they had anything to say to them.

Ryan’s advice was simple: “Go out there and make something.”

Anna tried to elaborate: “Tell a story and don’t be afraid to tell any story. Sure, it’s true that you should write what you know. But you should also find stories you love; you can learn about them, know them and then tell them too. Be unafraid. Be–”

But Ryan informed her that our ten minutes were up.

Collaboration, yet again.

-Nicholas Feitel, ND/NF New Voice

See Half-Nelson today at 3, and join us on Sunday at noon for Teaming Up, a discussion with the filmmakers about their process.

Last chance…Twitter for chance to win tickets to ND/NF Closing Night + party!

April 3, 2009

picture-20picture-191picture-18picture-17picture-16There’s still time to get your entry in…Twitter how you live in public to @filmlinc using the hashtag #ndnf by 5PM tonight and you might win tickets to Closing Night film We Live in Public and afterparty for you and a guest!