Yesterday’s Loner, Today’s Honoree: Talking Steve McQueen with the Film Society’s Josh Strauss
“That’s Ironweed,” Josh Strauss told me.
I admitted I’d never seen it.
“Meryl Streep’s best performance. Jack Nicholson at the top of his game. But impossible to find. Impossible.”
He should know. Strauss, programming associate for Film Society of Lincoln Center, had had a long history trying to find prints, trying to keep them vibrant and in tip-top shape. It’s what he did before he came here for independent distributors in New York and L.A.
“That and acting,” he said. “For about five minutes.”
Mr. Strauss had made a career of loving movies, remembering them in 35 and trying to find the best way they could be shown in a theater.
“Lincoln Center is full of intellectuals,” Mr. Strauss told me. “People doing brilliant work on the aesthetics of film, doing retrospectives on that.” He gave me at least a little bit of a smile. “I can’t offer that. What I can offer are the movies I loved to see when I was a kid.”
Those movies take the form of the series Yesterday’s Loner: Steve McQueen, a retrospective of the actor’s work on films as diverse as Enemy of the People, where he plays a small town doctor fighting to keep pollutants from a river, to The Magnificent Seven, where he embodied a sort of American samurai.
And though McQueen certain has a range, he was known best as a sort of action hero, a cowboy-badass of the type that would later make Clint Eastwood a legend.
“I did a retrospective of Charlton Heston and, well, I’d put him in the same category,” Mr. Strauss said.
His office was lined with the posters of the retrospectives he’d done and the movies he loved, including the one I had been staring at, Ironweed.
“I’m old enough to remember seeing him, seeing Steve McQueen on film.” Strauss recalled. “He was an authority to me in Saturday Afternoon matinees; a power.”
The Steve McQueen series, screening May 20th-26th at the Walter Reade theater, is lined with guest appearances by prominent McQueen collaborators, people like Candice Bergen and Robert Vaughn. “You know, Norman Jewison said The Cincinatti Kid was the first movie that he ever felt like a filmmaker,” Strauss reported. “Now 44 years later, he’ll be back to say that again, introducing the film.”
“Finding prints for movies,” Josh told me, “you just try to show things while they’re there, while they’re good. These prints of Steve McQueen’s films are still good. And people haven’t forgotten him, they just haven’t seen the movies.”
And talking, looking at the man, his posters, his enthusiasm: I felt excited for the chance now.
Yesterday’s Loner: Steve McQueen runs from May 20-26 at the Walter Reade Theater. Tickets are on sale now online.Explore posts in the same categories: hidden gems, inside the film society, on @ the walter reade comment below, or link to this permanent URL from your own site.